Tykeson Hall (all photos by me)
The opportunity to tour a
building before it opens and hear firsthand accounts of its design from those
directly involved in its realization is always a treat. Such was the case last
Wednesday with Tykeson Hall, which will be the newest academic building
on the University of Oregon campus when it opens its doors to students this
fall.
I joined a large group comprised
of members from the local sections or chapters of AIA, CSI, and ASHRAE for a
sneak peek at the nearly complete facility. Our able hosts were Chris Andrejko, AIA of Rowell Brokaw Architects PC and Greg Langdon, PE of Systems West Engineers. Chris and Greg provided us with an introduction to the project
by describing its general organization and design features before allowing us
to explore the building on our own.
Tykeson Hall will house numerous
advising and student resources for the College of Arts and Sciences (CAS), previously scattered about the campus.
Additionally, it will provide much-needed classroom and faculty office space
within the heart of the university. The enclosed floor area totals 64,000
square feet across four floors plus a basement. The project cost $31 million to
build.
Situated between Johnson Hall and
Chapman Hall, the new building upholds the university’s comprehensive Campus Physical Framework Vision by establishing stronger connections between
major pedestrian circulation routes and clarifying the structure of open spaces
in its vicinity. Its compact form preserves the south-facing open space by
Chapman Hall, forming an outdoor room (dubbed “The Oval”) for campus events. One
day, Tykeson Hall and a future academic building at the intersection of E.13th Avenue and University Street will bookend and frame historic Johnson Hall.(1)
Rowell Brokaw Architects partnered
with Office 52 Architecture of
Portland to design the project. PLACE provided
site design and landscape architecture services. Together, the team delivered a
respectful piece of architecture that neither clamors for attention nor is
entirely deferential. The building balances both traditional and modern
expressions within an admirably clear and diagrammatic parti. Janus-like, Tykeson Hall unapologetically presents two faces
toward its surroundings.
Its unique terracotta rainscreen distinguishes
the “modern” face oriented west toward The Oval. While several of the university’s
historic buildings feature ornamental terracotta details on their facades and
entries, Rowell Brokaw and Office 52 use the material in a decidedly
contemporary manner. Manufactured by Shildan
and installed by Streimer Sheet Metal,
the terracotta is applied in five distinct, custom glaze colors as a rain-screen
cladding. The team detailed the open-joint system with 3/8 inch gaps between the
terracotta panels, and carefully planned the material’s layout to avoid
adjacencies between panels of the same color.
Though the terracotta is striking,
I do wonder if its resolutely planar application represents a missed
opportunity to exploit its plastic and decorative potential. At
the height of its popularity as a building material during the late 19th and early 20th centuries, architects often embellished their designs
with elaborately sculpted terracotta components (the work of Louis Sullivan stands out in this regard). While terracotta is seeing a
resurgence of its use in recent years, today’s architects seem reticent to make
full use of its inherent properties. If they did, we might see new work
displaying the coherent levels of scale, geometric recursion, and fractal patterns
of the types we intuitively respond to in historic and vernacular
architectures.
Tykeson Hall’s east, “traditional”
brick side employs a subtly variegated blend of colors and a unique cross bond
pattern to visually complement its historic neighbors. Despite the site’s
prominence on 13th Avenue—the campus’s most significant central
circulation corridor—the new building exhibits a sympathetic scale and a
welcome absence of posturing.
View from 13th Avenue looking toward the northeast corner.
The contrast between the two exterior
expressions of Tykeson Hall also articulates the pattern of the functional
program within the building. The eastern portion of Tykeson Hall
primarily houses six flexible classrooms, while the west side accommodates a series
of collaborative spaces and a ground-floor commons that opens in good weather toward
The Oval. An inviting, open stair featuring an interactive art piece by Narduli STUDIO connects all five
interior levels, as does a skylight-topped, central light well.(2) I appreciated how Rowell Brokaw and Office 52
assigned each floor a unique geographic theme to inform the color and finishes
palette, evoking Oregon’s High Desert on one floor, its coast on another, and
so on. The otherwise unassuming interior spaces will undoubtedly be pleasant and
functional when in use.
Chris and
Greg said Tykeson Hall should be 35% more efficient than the current Oregon
Energy Code requires, and is on track to achieve LEED Gold certification.
Daylighting, natural ventilation, radiant floors, chilled beams, and a
high-performance building envelope will all help to lower the total energy
consumption of the building.
Overall, Tykeson Hall bodes well for the
University of Oregon in its efforts to preserve the unique character of the
campus. Promoting and protecting a strong sense of place—as opposed to provocatively disrupting it—is the order of the day.
The duty to protect the sense of place demands that architects entrusted to design
new buildings do so with a full understanding and appreciation for the planning
framework that underlies the campus fabric.
(1)
The future
development of a proposed building will require moving Collier House to another
location yet to be determined.
(2)
Horizontally
deployed fire-rated curtains enclose the floor openings at two levels,
obviating the need for a mechanical smoke evacuation system within an atrium.
1 comment:
The Design Architect for UO Tykeson Hall is OFFICE 52 Architecture, based in Portland, Oregon, who developed the overall conceptual idea for the design and planning of the building while working closely with the Dean, the College of Arts and Sciences, and the University. Rowell Brokaw is the Architect-of-Record for the project. The conceptual diagram shown this blog is by OFFICE 52 Architecture.
The project team included:
Design Architect: OFFICE 52 Architecture
General Contractor: Fortis Construction, Inc.
Consultant: Brightworks Sustainability
Consultant - Interiors & Planning: RMA Studio
Associate Architect/Architect-of-Record: Rowell Brokaw
Engineer - MEP: Systems West Engineers, Inc.
Engineer - Civil: KPFF Consulting Engineers
Engineer - Structural: Hohback Lewin, Inc.
Consultant - Energy Modeler: Glumac
Integrated Artwork Installation: Narduli Studio
Consultant - Graphics: The Felt Hat
Landscape Architect: PLACE Studio
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