Showing posts with label AIA-Eugene news. Show all posts
Showing posts with label AIA-Eugene news. Show all posts

Sunday, June 21, 2026

AIA Eugene Section Meeting: Friendly Hall and the Northwest Center for Architecture

Friendly Hall Renovation, June 18, 2026 (my photo).

Last Wednesday's meeting of the American Institute of Architects - Eugene Section offered a clear look at two noteworthy efforts in our region: the ongoing renovation of the University of Oregon’s Friendly Hall and the work of the Northwest Center for Architecture. The evening began with a construction site tour and concluded with a presentation in Lawrence Hall 115, each providing a concise update on projects that continue to reshape both the campus and the regional architectural record.

Restoring Friendly Hall 

Friendly Hall, designed by Whidden & Lewis in 1893 with additions in 1909 and 1914, stands as the University of Oregon’s third oldest building and the future home of the Schnitzer School of Global Studies and Languages. The current work delivers a comprehensive deferred‑maintenance and modernization effort through the CM/GC method with Bremik Construction. As Stone Rose, Bremik’s Senior Superintendent, noted, the Guaranteed Maximum Price sits at approximately $72 million, a figure that captures both the building’s age and the enormous scope of the rehabilitation. According to the university, the total project cost is presently $82.97 million.

The team is tackling a substantial range of improvements. Bremik has excavated portions of the basement to create new programmable space and plans to relocate rooftop mechanical equipment underground to restore the building’s historic profile. They are adding reinforced shotcrete at the exterior walls and installing a new roof diaphragm to improve seismic performance and support the conversion of outdated 1960s dormers into usable office space. They are also addressing long‑standing accessibility, life‑safety, and security issues in a coordinated way.

During early design, the team studied whether a full basement excavation could provide the additional area the program required. They ultimately chose a northeast expansion instead, which offered more efficient and flexible floor plates at a lower cost. Inside, they are reorganizing spaces around openness and adaptability, with new student hubs intended to support cross‑cultural engagement.

As often happens with buildings of this age, the team has encountered numerous unforeseen conditions. They spoke plainly about the surprises uncovered during demolition and excavation — the kind of challenges that make historic rehabilitation both demanding and instructive.

My thanks to the project participants who shared their perspectives during the tour:

The project team expects to complete the Friendly Hall renovation in Fall 2027, a timeline that acknowledges the complexity of the work and the care required to rehabilitate a building of this vintage.

South Park Building rendering, Herbert & Keller Architects, 1977 (Image courtesy of Northwest Center for Architecture Archive. http://www.nwc4a.org)

The Northwest Center for Architecture

After the site tour, we moved to Lawrence Hall 115 for a presentation by Abraham Kelso, Board President of the Northwest Center for Architecture (NWC4A). Based in Eugene, the organization works to preserve and interpret the architectural legacy of the Pacific Northwest, from Oregon to British Columbia, at a moment when numerous original archives face the risk of disappearing.

Abe described the urgency clearly. Many influential 20th‑century architects have passed, and their firms have closed, leaving drawings and documents scattered in garages and storage units. Without intervention, the region could lose the record of a distinctly Northwest architectural ethos — one that is uniquely contextual, climate responsive, and civic minded.

The Northwest Center for Architecture continues to process collections from firms and individuals. They have already or are currently digitally preserving and curating the archives of Unthank Seder Poticha Architects, Daniel Herbert, John and Jonathan Stafford, Equinox Design (John Reynolds & G.Z. Brown), and others. The organization has produced exhibitions and publications, including Interaction! Unthank Seder Poticha Architects, and plans to onboard its first summer intern and volunteer cohort. Long‑term plans include acquiring the Stafford Office/Residence as a permanent home, for which the organization will soon undertake a capital fundraising campaign.

Abe’s presentation underscored how much regional architectural history remains uncatalogued and how valuable a dedicated institution will be in preserving and interpreting it. Please consider supporting the Northwest Center for Architecture and its efforts by making a tax‑deductible donation. The Center is a 501(c)(3) nonprofit organization: EIN 99‑42889508.

* * * * *

The evening reminded me of the value of staying connected to the local architectural community. I appreciated the chance to catch up with former colleagues and collaborators, many of whom I had not seen in quite a while. The combination of substantive project updates and familiar professional faces gave me a good prompt to attend future meetings more regularly.

Sunday, October 27, 2024

2024 AIA Eugene Construction Craft Awards

The recipients of the 2024 Construction Craft Awards gather for recognition during the October 22, 2024 awards banquet in the Ford Alumni Center ballroom.

Did you know that the Craftsmanship Awards was the first initiative of the American Institute of Architects Southwestern Oregon Chapter following the organization’s chartering back in 1952? The long-running program—now named the Construction Craft Awards and administered by the Eugene Section of AIA Oregon—aims to highlight those who have mastered their craft, whether on specific projects or throughout their careers, by celebrating their exceptional skills and dedication to the work they perform.
 
The 2024 edition of the Construction Craft Awards was the first since 2019, and thus long overdue. I was pleased to see the Lee Barlow Giustina Ballroom at the University of Oregon’s Ford Alumni Center filled last Tuesday evening and the enthusiasm for the presentation of this year’s awards. It bodes well for the Eugene Section’s ongoing efforts to expand its outreach in the lasting wake of the pandemic through collaborative design-focused events and activities.
 
As in previous years, the success of the Construction Craft Awards was reliant upon the nominations of those individuals who AIA Eugene members believed best exemplified the time-honored ideals of craftsmanship. The following are the outstanding recipients of the 2024 awards: 
This list’s diversity speaks to the breadth of means by which true craftsmanship may be achieved and recognized. The Construction Craft Awards underscore the importance and contributions of key individuals within the diverse teams involved with the execution of the most successful building projects.
 
Our technology-fueled, accelerated existence seemingly leaves little room anymore for the application of measured, considered craft in the execution of buildings. That said, exemplary craftsmanship always shines through. You recognize it immediately. Fundamentally, it reflects the pride and meticulous attention to detail invested by highly skilled tradespersons in the production of the most useful and beautiful objects, buildings, and places. 
 
Kudos to all the 2024 Construction Craft Award recipients. Clearly, this legacy of recognition is one AIA Eugene should endeavor to maintain for years to come.
 
(1)    I wrote a letter of endorsement for Jon’s nomination. Jon served as Chambers Construction’s superintendent for Phase 1 of the Civic Park project.

Sunday, September 1, 2024

Cascade Middle School Tour

Mark Young, AIA, LEED AP BD+C leading the AIA Eugene tour of the new Cascade Middle School, August 29, 2024 (all photos by me).

The Eugene Section of AIA Oregon hosted a tour last week of the newly completed Cascade Middle School. Designed by a team led by Rowell Brokaw Architects (RBA) and built by Todd Construction, the project replaces one of the Bethel School District’s oldest buildings. Bethel voters passed a $99 million bond measure in 2020 to fund the project, part of a broader effort to upgrade facilities throughout the district. I thoroughly enjoyed the tour of the new school, which stands as a showcase for RBA’s characteristically thoughtful and pragmatic approach to K-12 school design. 

Main entry.

Our tour guide was RBA senior principal Mark Young, AIA, LEED AP BD+C. Mark provided a thorough description of the project, from its initial programming through design and construction, while sharing insights and anecdotes illuminating the vicissitudes inherent in such a complex undertaking. He characterized the school as a “best practices project,” while emphasizing how RBA viewed every design decision through the lens of being good stewards of the voter-approved funds. The direct construction cost for the new building and site improvements totaled approximately $44 million.

Site Plan.

The new school makes a strong first impression. Its exterior materials are both handsome and crisply detailed, and the massing is modest enough to fit comfortably with the scale of nearby single-family homes. The decision to locate the building at the southeast corner of the site allowed the existing school to remain operational during construction, ensuring a smooth transition for students and staff. The old building has since been demolished to make way for an expansive green space that preserves several mature trees. 

Exterior view of the classroom wing that faces Wilhi Street.

The Commons. Note the mural by Patrick "Teak" Price.

The overall parti of the new building is refreshingly straightforward. The central Commons area is a double-height, daylit space that serves as the school’s multifunctional hub. It connects the main components of the building: the two-story classroom wing to the south, the music wing to the north, and the gyms and administrative areas to the west. Two exterior plazas flank the Commons, offering a welcoming environment at the building’s main entry on its west side and access to a covered outdoor area through a large garage door to its east. 

The new building houses 90,000 square feet of enclosed space, plus 3,000 square feet of useable covered outdoor space. In addition to a standard complement of classrooms, CTE (Career Technical Education) spaces, a media center, and music rooms, the design includes a community health clinic in the renovated former music building. This adaptive reuse minimized costs and waste while providing a valuable resource for the neighborhood. 

Shared learning area.

Sustainability was a key priority. The building easily meets energy code requirements, in part as confirmed by a blower door test that showed air leakage well below code standards. A photovoltaic array on the gymnasium roof fulfills the state’s green energy technology requirements, further enhancing energy efficiency. Although the window-to-wall ratio is relatively low at 13.5%, the design ensures that all classrooms receive natural light and have views to the outside. Skylights in shared learning areas help break up long hallways, providing dynamic spaces for circulation and informal learning. I certainly did not find the amount of light and views lacking, a testament to RBA’s skill with design for daylighting. 

Media Center.

Typical classroom.

Music room.

Art plays a notable role in the new school in the form of murals by PatrickTeak” Price, a Tlingit artist from Alaska. His work, which depicts local flora and fauna and Native American cultural elements, connects the school to its place in the community and provides both aesthetic value and educational opportunities. 

A separate entrance to the gyms allows for secure after-hours access, accommodating community sports and activities without compromising the rest of the school’s security. 

One of the two gymnasiums.

The tour highlighted RBA’s approach to creating a functional, community-oriented school that fits well within its environment. The design is not about pushing architectural boundaries but rather about delivering a practical and effective solution that meets the needs of students, staff, and the broader Bethel community. Decisions such as the integration of natural light, efficient circulation, and flexible use of spaces, reflect careful consideration of how the school will operate daily. 

I appreciated seeing how RBA balanced modern educational design with practical and sustainable choices that align with the project’s goals and constraints. It will be interesting to see how the building performs over time and how it continues to serve evolving educational needs. 

Kudos to the entire Cascade Middle School team for their work on this project, and big thanks to Mark for leading such an insightful tour.

Sunday, August 18, 2024

Celebrating Unthank Seder Poticha


Mark your calendars: The evening of September 17, 2024, will bring the local design community together to celebrate the work of one of Eugene’s most notable 20th century architectural practices: Unthank Seder Poticha Architects. Presented by the nascent Northwest Center for Architecture, the event promises to be a joyous occasion, not only because it will acknowledge the firm’s outsized impact on the local architectural scene, but also because it will mark Otto Poticha, FAIA’s ninetieth birthday.

The Northwest Center for Architecture is the brainchild of Abraham Kelso, principal with Marinbow Design Services and an adjunct instructor at the University of Oregon’s School of Architecture & Environment. I had the pleasure of learning more from Abe about the Center while meeting over coffee at Vero Espresso this past Friday. His vision for the institution is for it to become akin to the internationally renowned Canadian Centre for Architecture (CCA) in Montreal, likewise producing original exhibitions and publications, albeit with an Oregon focus and a far more modest mandate. Abe’s secondary goal is that the Northwest Center for Architecture will one day have its own brick & mortar home as a venue for exhibits and repository for archival-quality drawings and documents.

Abe is currently preparing his manuscript for a monograph documenting the work of Unthank Seder Poticha. Rather than primarily photo-documenting the constructed projects, Abe’s added focus is upon the genesis and design process for each. As an architect, I always find learning the inside story—the who, what, when, where, why, and how—fascinating and informative. Being pretty alone does not make a successful project; good architecture is much more. It is functional, durable, contextual, sustainable, as well as aesthetically pleasing. My hope is Abe will emphasize all these aspects in his assessments of the Unthank Seder Poticha projects he chooses to present.

Alas, I will miss the September 17 celebration as coincidentally I will be in Montreal on a trip I have had planned for months (one that includes a visit to the CCA). There is no way I would otherwise not be on hand to honor Otto’s milestone birthday and to listen to him recount his successful partnership with De and Grant, a legacy that is unrivaled here in Lane County. I truly wish I could be in two places at the same time.

Following is the Northwest Center for Architecture’s announcement for the event:

You are cordially invited to celebrate the life and work of three architects who helped shape the Eugene we know and love today: DeNorval Unthank, Grant Seder, and Otto Poticha, who from 1968-1986 practiced together as Unthank Seder Poticha Architects

They designed, either individually or collaboratively, many iconic campus buildings: McKenzie Hall, the Clinical Services Building, the Health Services Building, and the Lew Romania dealership "potato chip" building, as well as the Handball and Tennis Courts, which received a national energy award. On top of that, their many years of teaching and reviewing student work left an incalculable impact on the strength of our graduates.

In Eugene at-large, they were single-handedly responsible for creating the 5th Avenue Special Area Zone, which dramatically reshaped civic and commercial life in downtown Eugene. They designed or renovated many buildings in the downtown core and developed successful experiments in dense urban living (High Street Rowhouses, Lincoln Terrace). They designed the Lane County Public Service Building (also the recipient of a national energy award), notable professional services buildings (the Bus Barn, the High Street Office Building, the Forum Building, among others), and the surrounding hills are dotted with their innovative residential structures. 

High Street Rowhouses (Google Street View)

Lincoln Terrace (Google Street View)

Lane County Public Service Building (Google Street View)

In Portland, they designed the magnet performing arts educational facility, Harriet Tubman Middle School, as well as adapted an aging firehouse into the beloved Interstate Firehouse Cultural Center, among other civic and residential projects.

The Albany Public Library, The Local Government Center in Salem, the list goes on! The Willamette Valley is richer for their work . . . not to mention the coast, the mountains, and the high plains to the east.

We will be gathering for a night of celebration and stories about some truly incredible practitioners, whose work made Oregon a better place, as well as fundraising to support a permanent home for the Unthank Seder Poticha archive and the publication of a comprehensive monograph of their work. 

Please join us. 

The Very Little Theatre, Eugene, OR

Doors at 6pm, Event at 7pm

September 17th, 2024

Sunday, May 5, 2024

Site Tour: The Ponds on Alexander

 
Inside the Clubhouse entrance at The Ponds (all photos by me)

AIA Eugene and the Willamette Valley Chapter of the Construction Specifications Institute jointly hosted a construction site tour of The Ponds on Alexander this past Thursday. I found the tour informative, as it shed light on both the unique attributes and the inherent challenges of this project. Despite facing rigid constraints, the design team of 2fORMArchitecture and The Satre Group managed to create a development that balances functionality with aesthetic appeal. Umbrella Properties is the owner/developer, and Essex General Construction is the contractor.
 
The Ponds on Alexander is a significant complex, comprising 195,000 square feet of floor area spread across four 3 & 4-story apartment buildings and a 2-story community building. In total, the complex offers 186 units on a 5.38-acre site that borders the picturesque Delta Ponds wetlands area. The unit mix includes 34 studios, 102 one-bedroom units, 49 two-bedroom units, and one three-bedroom unit. Construction is nearing completion, with the first residents expected to move in by late summer.
 
The Ponds on Alexander (rendering by 2fORM Architecture)

Richard Shugar, AIA, LEED AP, principal at 2fORM Architecture, spoke about the challenges of working within a pre-approved planned unit development (PUD) plan, which Umbrella Properties inherited from a previous developer. While the plan provided a framework, it also imposed strict limitations on the design and configuration of the project.
 
One key obstacle was the rigidity of the PUD site plan, which dictated the overall layout and building configuration, leaving little room for significant changes. Richard noted that if the team had more freedom, they would have reimagined the design to better leverage the site's proximity to the Delta Ponds. The existing plan didn't fully embrace the scenic views and natural setting, and its high parking-to-unit ratio seemed excessive given anticipated demand. Despite these hurdles, the design team incorporated elements from the natural surroundings, emphasizing views from certain units and using landscaping to harmonize with the environment.
 
Clubhouse exterior view.

Clubhouse interior.

Even within these constraints, 2fORM crafted a welcoming and well-appointed complex characterized by the firm’s trademark use of clean lines, attention to detail, and high-quality materials. Although the building orientation and layout were predefined, the complex still accommodates a range of community spaces and amenities. These include a fitness center, pool, spa/hot tub, BBQ/picnic area, clubhouse, and on-site management. The apartment units come equipped with all the modern conveniences and features you would expect at their price points.
 
Interior of the 3-bedroom unit.

Rental rates for The Ponds on Alexander range from $1,395 per month for a studio to $2,900 for a three-bedroom unit. These prices seem reasonable, given the level of amenities and the complex's location. Although the constraints imposed by the PUD plan limited certain design choices, the development is positioned to attract a diverse group of residents seeking quality housing.
 
Overall, the tour highlighted the project's success in overcoming the challenges of a rigid PUD plan. The Ponds on Alexander represents a careful balance between constraints and creativity, offering a range of amenities and a setting that integrates well with its natural surroundings. I look forward to seeing how this development contributes to the evolving landscape of Eugene's multifamily housing market.

Sunday, March 24, 2024

Citizen Architect

 

The well-attended March meeting of the Eugene Section of AIA Oregon took place last Wednesday at the Ninkasi Better Living Room. The intriguing subject of the meeting was what it means to be a model “Citizen Architect.”

Simply put, the notion of the Citizen Architect relates to design professionals who engage in civic endeavors, contributing their insights, talents, and experiences towards the betterment of society. Citizen Architects regard architecture not merely as a vocation but as a conduit for social progress, leveraging their skills to address pressing issues affecting the profession and more broadly the communities of which they are a part.

Central to the spirit of the Citizen Architect is a dedication to civic activism and advocacy. Architects possess specialized knowledge of the built environment's impact on society, and thus are uniquely positioned to advocate for policies addressing urgent issues impacting everyone. Local engagement additionally serves as a cornerstone of the Citizen Architect's mission. By interfacing with grassroots organizations, attending town hall meetings, and collaborating with local stakeholders, architects forge connections that underpin community-driven development initiatives. They harness their collective influence to shape legislative agendas and advocate for policies conducive to sustainable urban growth.

The meeting featured speakers who collectively described some of the paths architects can follow toward fulfilling the role of a Citizen Architect:

AIA Oregon Leadership Summit
The Eugene Section’s representative on AIA Oregon’s Emerging Professional Committee is my colleague at Robertson/Sherwood/Architects, John Webster, AIA. John described the February 21 Oregon Leadership Summit at the State Capitol in Salem, which featured the opportunity for the 15-20 young professionals who attended to learn firsthand about how the legislative process, public policy, and governance impact the work of architects. The event also provided them with an opportunity to meet with the AIA Oregon Legislative Affairs Committee, various state representatives, and the Oregon State Board of Architect Examiners (OSBAE).

John regarded the Summit as an excellent introduction for the attendees to the responsibilities of a “Citizen Architect.” Learning how to become effective voices for the profession is a critical aspect of leadership and advocacy. Seeking change when laws or policies are contrary to the best interests of our communities or the architectural profession often means being an advocate in public spaces, a useful lesson for every emerging professional.  

Oregon House of Representatives (photo by Cacophony, CC BY 3.0 <https://creativecommons.org/licenses/by/3.0>, via Wikimedia Commons)

The 2024 Oregon Legislative Session
As I mentioned above, helping to shape legislative agendas is a central function of a Citizen Architect. AIA Oregon has provided the structure and support for its members on matters of public policy, both at the State and Federal levels.

Cindy Robert, AIA Oregon’s lobbyist since 2000, reported on the outcomes of the recently adjourned 2024 Legislative Session impacting the architectural profession. Cindy said the legislators only passed 100 of 300 bills introduced, but many of those which became law portend “monumental changes” for Oregon architects. Chief among these changes are the Governor’s Housing Bill & Funding Package (allocating $376 million in funding for housing initiatives across the state), the creation of a new Housing Accountability & Production Office, a directive for the Department of Land Conservation and Development to create model ordinances that provide clear and objective standards for the development of various housing types, and the barring of design professional “duty to defend” provisions in construction contracts.

The passage of the “duty to defend” legislation (SB 1575A) is particularly welcome and overdue. I’ve seen too many public agencies throughout Oregon include contractual clauses that require architects to defend those agencies in the event of legal claims for damages even though the design professional is not responsible for them. The “duty to defend” language is legally problematic, expensive, and uninsurable by professional liability carriers. The fact such clauses became ubiquitous may in part be a consequence of many architects failing to understand their implications, or simply missing the “fine print” altogether. The new legislation will ensure fairness for architects and engineers in the public contracting process by requiring each party to a construction contract to be responsible for their own negligence or fault. This means parties will pay damages based on actual liability, rather than alleged liability once that responsibility is determined.


Mentor Madness
The definition of a Citizen Architect can also include the duty to mentor the future generation of design professionals. Evon Calabrese, Assoc. AIA and Nicole Becker, AIA, introduced Mentor Madness, which will be a fast-paced four-week program offering group and one-on-one mentorship sessions. The sessions will match experienced professionals looking to share their wisdom with aspiring architects-to-be.

Evon and Nicole, both emerging professionals themselves, organized Mentor Madness particularly for those new to the Oregon architecture community. In addition to a series of virtual meetings, the coming Oregon Design Conference will serve as a program venue. The conference (May 8-10 in Bend) will host related presentations, including an overview of the AIA and the pathways to getting involved at the chapter and national levels, an introduction to allied professional organizations, and what it means to be a Citizen Architect. Acceptance into the Mentor Madness program includes registration to the Oregon Design Conference and a $300 travel stipend. The AIA College of Fellows provided the funding necessary to make the program possible.

Unfortunately, the deadline for both mentor and mentee applications is tomorrow (Monday, March 25); I’m late in reporting about the Mentor Madness program. Act quickly if you’re interested. I expect the program may become a fixture on the AIA Oregon calendar in future years, so future opportunities to participate will undoubtedly exist.

The Architect as Mayor
Kaarin Knudson, AIA is currently one of three candidates running for mayor of Eugene. I’ve already endorsed Kaarin’s candidacy. She is nothing but the epitome of a Citizen Architect. As I first wrote last September, Kaarin brings a fresh perspective to local politics, one that combines her experience as an architect, urban designer, university educator, and community leader. She addressed the value of that perspective during her presentation and the subsequent question & answer period.

In some respects, it’s curious more architects have not taken this step. Architects do possess political agency by virtue of their training and the nature of their work, which is inherently public. I believe design excellence as a civic imperative should be a precondition for holding political office at the local level. Thomas Jefferson’s dictum that “design activity and political thought are indivisible” comes to mind here. By their nature, architects are adept at solving complex problems through design, leading project stakeholders as well as the communities they serve toward better futures.

Effective leadership from the mayor’s chair can result in constructive and responsible change. This is even true here in Eugene, which operates under the council-manager form of government. The mayor’s influence is limited or “weak” in such a system. Regardless, the mayor of Eugene can exercise leadership to build a constituency for design excellence and influence the community to confront its adaptive challenges—those gaps between a citizenry’s values and the current reality that cannot be closed by routine behavior.

I believe Kaarin has the acumen, collaborative mindset, and most importantly the vision to be the persuasive leader Eugene needs. She is most worthy of your support. Ballots for the primary election are due on May 21.   

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I cannot claim the mantle of “Citizen Architect” to the extent that those who have worked tirelessly over many years on behalf of their clients, friends, neighbors, and fellow design professionals can. Yes, I did my part during my 2008-2009 stint on the AIA Oregon board, traveling to Salem and Washington D.C. to advocate for sound public policies that support livable, sustainable communities. Since then, my contributions have mostly been limited to attending public meetings and directly participating in public workshops associated with issues related to urban design, the housing affordability crisis, and the like. If anything, perhaps this blog fulfills my obligation to be a Citizen Architect, as I have used it as a public platform upon which to advocate on behalf of the broader purposes of architecture.


The Citizen Architect paradigm epitomizes the convergence of professional expertise and civic responsibility, serving as a catalyst for transformative change in the built environment. Through advocacy, activism, and community engagement, architects leverage their talents to address societal challenges, advance public welfare, and nurture inclusive, sustainable communities. As stewards of the built environment, Citizen Architects embody the ethos of service, stewardship, and social progress, shaping a more equitable and resilient future for future generations.

Sunday, October 30, 2022

2022 People’s Choice Award Winners

Mountain Rose Herbs Aroma Bar by Agate Architecture, one of the 2022 People's Choice Award recipients.

Each year, the American Institute of Architects Oregon Chapter/Eugene Section (AIA Eugene), in collaboration with the Willamette Valley Section of the American Society of Landscape Architects (ASLA), sponsors the People’s Choice Awards for Architecture. The venerable awards program aims to educate and inspire our fellow citizens by showcasing architecture, interiors, and landscape architecture projects created within the AIA Eugene section area by AIA or ASLA members.

2022 marks the 33rd year of the People's Choice Awards. The projects presented for consideration were uniformly of a high quality, a testament to the maturation and increasing skill of local design professionals. Voting opened October 1 and continued through October 17, with the public and AIA and ASLA members alike casting their ballots, either at the display of projects boards in the Broadway Commerce Center, or online through the AIA Eugene website. 

For the first time since 2019, the awards celebration took place in-person at 255 Madison on October 26 (as opposed to occurring virtually). I unfortunately was unable to attend (I had/have a cold and did not want to share my unpleasant bounty with others). Those who did attend tell me the event was a success.

The 2022 program presented a total of sixteen projects across six categories (this is a small number in comparison to prior years; hopefully, we will see an increase in submissions for 2023). While boasting rights are a definite plus for the award recipients, the real benefit is raising the public’s awareness of quality architecture and the talents of local architects and landscape architects.

Without further ado, here is the list of 2022’s People’s Choice Award recipients:

Interiors (Commercial/Public/Institutional)
Mountain Rose Herbs Aroma Bar - Agate Architecture

Landscape Architecture 
Downtown Riverfront Park - Walker Macy

Multi-Family Residential
 

Public/Institutional
DeNorval Unthank Jr. Hall - Rowell Brokaw Architects
 

Single Family Residential
West View Residence - Aligned Architecture
 

Unbuilt Projects

The event organizers at AIA Eugene/ASLA prepared presentation boards for each of the winners. The boards are currently viewable outside of the Octagon at 92 E. Broadway in downtown Eugene, so check them out if you’re in the neighborhood. Each board features a detailed description and more photographs of the winning projects.

Congratulations to all the award recipients, and big thanks to the event sponsor—Rubenstein’s—and to the members of the organizing committee for producing this year’s People’s Choice Awards program.  

Saturday, April 2, 2022

Farmers Market Pavilion and Plaza Tour

 
Interior of the Farmers Market Pavilion (all photos by me).

Another week, another well-attended tour of a noteworthy project in Eugene. This time, the Willamette Valley Chapter of the Construction Specifications Institute, AIA Eugene, and the Willamette Valley Section of ASLA Oregon teamed to provide an insider’s look at the Farmers Market Pavilion and Plaza, which are rapidly approaching completion. During the tour, key members of the design and construction team provided a wealth of background information, greatly enhancing tour-goers’ understanding about what is destined to become a transformative project for downtown Eugene.
 
Our tour guides included Tanner Perrine, Senior Project Manager with Lease Crutcher Lewis (and current CSI Willamette Valley Chapter president) and Assistant Project Manager Riley Allen. Tanner and Riley described unique aspects of the construction process, including the decision to procure the pavilion’s cross-laminated timber panels from nearby D.R. Johnson Lumber Co. rather than a lower-cost Canadian source. This decision reflected Lewis’ commitment to sourcing products locally and minimizing the project’s carbon footprint, but also the challenges and uncertainties associated with cross-border commerce.

(l to r): Matt Koehler, Riley Allen, and Tanner Perrine.

Farmers Market Pavilion
 
Matt Koehler, ASLA, LEED AP, principal with Cameron McCarthy Landscape Architecture & Planning, and Christine Rumi, RA, LEED AP, associate partner with FFA Architecture & Interiors, ably presented the design team’s perspective. As I reported previously, the Farmer’s Market Pavilion and Market Plaza comprise just the initial phase of the greater Eugene Town Square redevelopment of Eugene’s historic park blocks. Matt addressed the challenges posed by the necessity of anticipating the Town Square’s phased development in the project’s design, as well as the Lane County Farmers Market mandate to utilize “hard” surfaces to accommodate as many vendor’s booths as possible (disqualifying the incorporation of lawn areas). Christine highlighted FFA’s strategic use of a simple, luminous form that not only alludes to agricultural greenhouses, but also wrings the biggest possible bang out of a very limited budget.

Interior view looking north.

Cross section of CLT wall panel.
 
What impressed me most during the tour is the spaciousness of both the pavilion interior and the plaza outside, which isn’t immediately evident if you only view the design while passing by the site in a car. Vendors and shoppers alike will enjoy a more interconnected, shared experience and sense of place than offered by any of the market’s previous incarnations. I suspect the combination of interior and exterior space for vendor booths will lead to the participation of more growers, enhancing the selection and variety of produce offerings.

View looking west across the Market Plaza toward the Pavilion. Note the pattern of different types of concrete paving. The areas around the trees will be infilled with tightly compacted decomposed granite.
 
When completed, Cameron McCarthy’s assertive patterning of colored and hand-seeded aggregate concrete panels, and decomposed granite will complement the relative plainness of the Market Pavilion. Matt said the composition of the concrete and DG panels alludes to the modernist design for the two Park Blocks to the south across 8th avenue, for which the art of painter Piet Mondrian inspired Wilmsen Endicott Architects and Lloyd Bond Landscape Architect’s 1958 design. The quality of the Market Plaza concrete already in place is outstanding, with nary a cracked panel in sight. 

I did find the 8,500 sf pavilion perhaps a tad too refined and crystalline in character. The board and batten lower walls will be painted white, further reinforcing its iceberg-like appearance. The polycarbonate panels that clad its upper surfaces aren’t as transparent as FFA’s renderings suggested they would be. On the other hand, the building’s simple form will function as a backdrop for the bustle of activities on the Market Plaza and suitably defer to a future Eugene City Hall, to be constructed at the north end of the plaza.  

West wall of the market hall. The metal straps toward the top of the wall are structural and will be concealed behind acoustical wall panels.
 
Whereas the exterior of the pavilion is icily cool, the exposed mass timber framing and CLT panels inside are warm and inviting. Most of the wood will remain exposed, but the upper portion of the west wall that separates the market hall from support spaces will be covered by acoustical panels to dampen reverberant noise. That surface will additionally host a specially commissioned piece of art. Likewise, the City of Eugene selected an artist to paint a mural on a portion of the building’s exterior facing West Park Street. I expect the art pieces to add a desirable touch of color to the building.
 
West side of the Pavilion, facing West Park Street. The area of yellow panels will receive a painted mural.

The Lane County Farmers Market intends to move in and welcome the community to the new Market Pavilion and Plaza on Memorial Day weekend, less than two short months from now. I’m looking forward to seeing the design come alive, bringing active uses back to what historically had been part of Eugene’s most important civic open space.