Saturday, August 14, 2010

A Stitch in Time

Civic Stadium (photo by Dennis Galloway)

Dennis Galloway is a local photographer who contacted me after finding my blog. He thought that I might find his work interesting, particularly his “widescreen” panoramic images of buildings and spaces.

His panoramas are stitched together electronically from a half dozen or more digital photographs. They often display a level of detail that is remarkable, “positively voyeuristic” in the words of Register-Guard writer Bob Keefer. Keefer wrote on the occasion of an exhibit of Dennis’ work at the Eugene Public Library in 2008.

“The immense level of detail that can be captured by even fairly ordinary digital cameras, once you start stitching images together, opens new frontiers in photography that have hitherto been the exclusive province of large-format photographers.

“Their construction as widescreen panoramas adds yet another dimension to the experience. Galloway rotates his camera through 180 degrees or more while making these photos; a simple square room becomes a visual puzzle to be solved.”

Bob Keefer, The Register-Guard, September 18, 2008

Artist's studio panorama (photo by Dennis Galloway)

Dennis does not specialize in architectural photography. Perhaps this is why I find his approach to depicting architecture intriguing. He does not feel bound by the conventions of that trade, such as perspective control. He isn’t necessarily concerned with composing and editing photographs to conform to commonly accepted distortions in constructed perspective.

Lillis Hall, University of Oregon (photo by Dennis Galloway)

A problem with conventional architectural photography is that it emphasizes scenographic representations of buildings from static vantages. Compositions of individual images are stressed rather than exploration or explication of the dynamic spaces shaped by the architecture.

Architect and author William Hubbard took exception to the emphasis upon scenographic representations of buildings and spaces in his 1981 book Complicity and Conviction: Steps Toward An Architecture of Convention. For Hubbard, such an emphasis leads to a failure to establish a deeper basis for liking buildings because carefully composed, static images do not tell us of values that are deeper or more important to us. The ultimate goal of the scenographic approach is a pretty picture, not necessarily a more informative documentation of the subject matter.

Hult Center for the Performing Arts (photo by Dennis Galloway)

Rather than idealized representations from a single perspective, Dennis Galloway’s composite images are analogous to Cubist paintings, wherein the flux of time, motion, and space were expressed more dynamically than by the conventional art that preceded it. Like the Cubists, Dennis depicts his subjects from a multitude of viewpoints, conveying a greater context than is possible utilizing a scenographic approach.

In addition to his panoramic photography, Dennis is not hesitant to employ High Dynamic Range (HDR) imaging techniques, merging multiple exposures to depict a wider range of luminances than is possible from a single image. He uses HDR to achieve exaggerated local contrasts for artistic effect. Again, Dennis is less focused upon “realistic” or idealized representations of architecture. Instead, his goal is to utilize every tool at his disposal to deliberately affect the viewer’s perception of his images.

U.S. Post Office, Eugene (photo by Dennis Galloway)

No photograph or set of photos can replace actually experiencing a work of architecture in person. No matter how evocative an image may be, it remains a limited, two-dimensional representation of a much more complex reality. No photograph can come close to portraying an authentic, multi-sensory architectural experience. This is why I have a problem with design awards programs. In many instances, projects are awarded by juries solely on the basis of submitted photographs.

Eugene Public Library (photo by Dennis Galloway)

Nevertheless, Dennis Galloway’s work points to how photography can do more to suggest in two dimensions the multi-dimensionality of architecture and space. Panoramic and HDR imagery will not replace conventional photo documentation of architecture. On the other hand, such techniques can augment standard, perspective-corrected imagery to more fully convey the substance of the architecture being depicted.

If you’re interested in learning more about Dennis’ work, check out his websites at the following URLs:

http://dgphotos.myphotoalbum.com/

http://www.flickr.com/photos/31041947@N06/sets/

http://dennisgalloway.com/

Tuesday, July 27, 2010

Christmas in July? I wish . . .

Update 8-14-10: I feel good enough to return to work this next Monday. I've also started blogging again, finishing up a post ("A Stitch in Time") I started before I got sick.

Update 8-9-10: I have pneumonia but after nearly three weeks, I think I'm on the mend. I'm not back at work yet, but my coughing is subsiding, and the fever is gone. I'm on antibiotics and am using an inhaled corticosteroid medication to reduce inflammation in my lungs. At the moment, the worst part is the fatigue and tthe fact that I've lost ten pounds (six in the last week). Hopefully, I'll stop losing weight and regain my strength soon.

The precious few regular readers of my blog are probably wondering “why hasn’t he posted anything lately?” I wish I could blame my dearth of posts on a sudden, untapped giddiness over “Christmas in July,” that marketing ploy by national retailers to justify sales. Unfortunately, my absence is attributable to another summer anomaly: an unseasonal cold or flu.

This ain’t no cold. This must be a flu variant. I’ve been running a low-grade fever for days and it hasn’t broken yet. I have pounding headaches, and aches and pains in joints and muscles I’d forgotten I have. A nagging persistent cough has precluded restful sleep. I have absolutely no appetite. I'm no doctor, but not eating and not sleeping aren't parts of a normal prescription for recovery.

The bottom line is that I simply have not felt good enough to blog. I can't focus or concentrate. I’m staying home from work so that I don’t pass this along to others. My wife’s been a trouper for taking such good care of me.

A high school buddy of mine, Patrick Hannon, had little tolerance for my proclivity for constant complaining. In response to this he would undoubtedly proclaim “Another fine whine, Mr. Nishimura!” Yeah, but it makes me feel better.

I hope to soon be posting regularly again.

Sunday, July 18, 2010

July AIA-SWO Chapter Meeting Recap

PK Park (photo courtesy of the Eugene Emeralds)

The weather was perfect, the company grand, and the backdrop sparkling. The 2010 edition of the AIA-SWO summer picnic this past Wednesday, July 14, took in America’s pastime at pristine PK Park, new home for the Eugene Emeralds baseball team.(1)

Like previous years, AIA-Southwestern Oregon invited related construction-industry organizations to join us at our annual picnic:
The event was a fun way for members of these different groups to get to know one another better. It also featured all the hot dogs, hamburgers, potato salad, and baked beans you could eat, and a heck of a ballgame to boot (the Ems bested the Tri-City Dust Devils by a score of 3-1).

Pk Park - West Entrance (my photo)

A warm summer evening at the ballpark is the perfect setting for people of all ages to gather, meet, relax, and have fun. Baseball’s languorous pace (due in part to the sport’s unique absence of a running game clock) helps us to unwind, slow down, and soak in the atmosphere. Those who attended the 2010 AIA-SWO picnic reveled in the occasion and thoroughly enjoyed themselves.

PK Park - View from the concourse along the 1st base line (my photo)

PK Park
Named after uber-donor (and former University of Oregon athletic director) Pat Kilkenny, PK Park has 2,040 box seats with backs, a general admission bleacher section that holds 480, 53 ADA and companion seats, two picnic plazas, eight upper level luxury suites and a VIP lounge. Much of the seating is sheltered by a cantilevered roof above. PK Park also features a broad concourse that wraps the entire length of the seating bowl. The open concourse affords fans the opportunity to stay in touch with the action on the field as they mingle with friends or wait in line at one of the varied concession stands.

PK Park - View of the field from behind home plate (my photo)

The playing surface is a baseball-specific version of Field Turf, which allows play to occur when the field is wet, something natural grass cannot do.

While not overtly historicizing, PK Park’s architecture does reflect the vogue for new stadia that are reminiscent of the classic ballparks constructed during the early decades of the 20th century. It achieves this impression by using brick (actually tinted concrete masonry units), exposed steel painted deep green, and green seats. The field of play features angled outfield fences and quirky foul territory dimensions, also reminiscent of classic structures like Ebbets Field and Fenway Park that were shoehorned into the urban fabric. The overhanging luxury suites and press box further the allusion to the parks of baseball’s golden age.

Sluggo, the Eugene Emeralds mascot (my photo)

DLR Group’s sports facility design division was the architect for PK Park.(2)

As a venue for collegiate and minor league baseball, there’s no doubt that PK Park compares more than favorably against any other similarly-purposed facility in the country. DLR Group has done an admirable job. So why is the advent of PK Park bittersweet? It’s because its appearance likely signals the death knell for Eugene’s beloved Civic Stadium.

Whither Civic Stadium?
"The one constant through all the years, Ray, has been baseball. America has rolled by like an army of steamrollers. It has been erased like a blackboard, rebuilt and erased again. But baseball has marked the time. This field, this game: it's a part of our past, Ray. It reminds of us of all that once was good and could be good again.”

Field of Dreams (1989) – Terrence Mann (James Earl Jones)

Ty Cobb & "Shoeless" Joe Jackson (1914)

More so perhaps than any other spectator sport, fans of baseball passionately revere its history, rituals, and traditions. It may be because the game harkens back to simpler times when traditions mattered, when everyone knew right from wrong, and the good guys always won. Perhaps it’s because it stirs childhood memories of sons playing catch with their fathers. Or possibly because the more society changes, the more baseball reassuringly stays the same. Baseball’s glorious nostalgia is its most valuable currency.

Prior to the 2010 season, the Emeralds called Civic Stadium in south Eugene the team’s home. Generations of fans watched games from the facility’s wooden grandstand, originally constructed in 1938 as a Works Progress Administration (WPA) project. According to Emeralds president Bob Beban, the move to PK Park was precipitated by the increasingly poor conditions at Civic Stadium. At the time of the decision, he cited a litany of major issues with the old ballpark, including a poor irrigation system, broken seats and an unreliable power supply.

Civic Stadium’s owner, Eugene School District 4J, has declared the stadium to be “surplus property” to be disposed of at its discretion. The school district does not have the funds to renovate Civic.

A local community group, Save Civic Stadium, developed its own vision to save the stadium. It hired G2 Strategic, a sports consulting firm, who proposed saving Civic Stadium and developing the surrounding site so that it can host an economically viable mix of events to serve youth and the community at large.

G2’s report recommends that Civic Stadium be rehabilitated and converted from a baseball stadium into a multipurpose venue anchored by a professional soccer team that would be funded by a local private investment group. The renovation of the stadium itself would be publicly financed.
This is a photo taken of Civic Stadium on 7/14...Civic Stadium (Image via Wikipedia)

District 4J intends to issue a Request for Proposals this fall, inviting interested parties to describe their plans for the property and offer a purchase price (or suggest terms of a long-term lease or property trade). G2’s vision for Civic Stadium may only be one of several schemes that 4J will ultimately consider. If the school board selects a proposal to approve, the district will move forward with negotiating a sale, lease or trade.

Regardless if Civic Stadium survives in one form or another, its life as a minor league professional baseball park has ended. This is a shame.

Civic Stadium is listed on the National Register of Historic Places, primarily in recognition of its rarity as a surviving example of a once common style of timber-framed ballpark rather than the merits of its architecture.(3) What makes Civic irreplaceable isn’t its design but instead the memories that were formed there.

PK Park vs. Civic Stadium: An Assessment
My initial impressions of PK Park are that it is a modern, functional, and attractive facility. I only hesitate to proclaim that the Ducks and the Emeralds have hit a home run (pardon the pun) with PK Park because I cannot avoid comparing it to Civic Stadium.

As decrepit and deficient as Civic Stadium was (is), it nevertheless had several things going for it. One was its setting in south Eugene, nestled against College Hill, its grandstand oriented past the outfield toward the southeast hills. During evening games, the setting of the sun against those hills was truly magical. Another was the smell of the freshly cut grass, as quintessential to the baseball experience as the crack of wooden bats and the seventh inning stretch. Civic Stadium’s large sections of bench seating also fostered a more relaxed attitude toward how families and friends interacted in the grandstand than is now possible at PK Park.

Coupled with its timber construction and long history, these and other factors endowed Civic Stadium with great appeal. Unfortunately, such charm cannot be fabricated from whole cloth. PK Park skirts the perils of historic pastiche, but just barely. Only time will tell if the community will embrace the new building. It will take the passage of many years for PK Park to acquire an engaging patina to rival that which Civic Stadium enjoyed.

(1) Of course, PK Park was purpose-built for use by the resurrected University of Oregon Ducks baseball team, which resumed PAC-10 play in 2009. As such, the stadium’s design was tailored to the college game and not entirely for professional, minor league standards. For example, the stadium presently lacks a visitors’ locker room, a deficiency that will be remedied by future facility upgrades.

(2) Prior to retaining DLR Group, the University of Oregon originally commissioned my firm, Robertson/Sherwood/Architects, and Cameron McCarthy Gilbert & Scheibe Landscape Architects to develop a master plan for the new stadium. We tested alternative configurations for the ballpark, and executed the first phase of PK Park’s development (the design of the field of play).

(3) Natalie Perrin, at the time a graduate student at the University of Oregon, prepared the application for Civic Stadium’s listing on the National Register in 2008.
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Tuesday, July 13, 2010

2010 AIA Northwest & Pacific Region Design Awards


Wayne L. Morse United States Courthouse, 2009 Honor Winner - Architects: DLR Group & Morphosis (photo by M.O. Stevens)

The American Institute of Architects Northwest & Pacific Region produces a Design Awards program each year. Its goal is to honor excellence in architectural design and to recognize the architects, clients, and consultants who work together to achieve design excellence.

This year’s Region Awards program is special because AIA-Southwestern Oregon is playing host. The assembly of the jury and its judging of the entries, as well as the presentation of the awards at the Region Awards Banquet, will all be part of the 2010 AIA Northwest & Pacific Region Conference, October 13-16, here in Eugene.

Interested? Here are the details:

2010 Jury
AIA-SWO has assembled a jury of esteemed architects, whose firms are the recipient of numerous past design awards themselves:
Eligibility
Eligible entries shall have won a design award in a professional juried awards program sponsored by a Chapter (state or local) in the AIA Northwest & Pacific Region. A project that receives an AIA National award is eligible, regardless if it won a Chapter award.

Projects must have received an award between January 1, 2005 and December 31, 2009 to be eligible. Projects must have been completed at the time the qualifying award was issued.

Planning projects, pre-design or other projects for which construction was not complete at the time of the award are not eligible.

Any member in a local chapter of the Region that has not had an awards program of its own in more than 2 years may enter the Region program. The project must have been completed between January 1, 2005 and December 31, 2009 to be eligible.

A qualifying award must be the result of a jury of professional peers and issued in a chapter’s award program. Awards co-sponsored by an AIA Chapter with another organization or entity are eligible, provided they meet the jury and date criteria.

Awards that are not eligible include those voted on by internet polls, polls of the broader membership, or issued by a single person. Examples of award that would not qualify include: People’s Choice Award, Mayor’s Award, Legacy Awards, Presidential Citations, etc.

Awards issued by AIA Chapters outside of the region, other than the AIA National Component, are not eligible; even if the award is given to a member within the region.

Intent to Enter
If you would like to submit an entry, download an "intent to enter letter" by clicking here.

The deadline for intent to enter letters and entry fees is Monday, August 16, 2010. Faxed or emailed letters, with check or credit card payment to follow, are acceptable. The entry fee is $165 per project.

Wednesday, July 7, 2010

Oregon Bach Festival offer for AIA-SWO Members

German conductor and composer Felix Mendelssoh...Felix Mendelssohn (image via Wikipedia)

The Oregon Bach Festival has a special offer for AIA-Southwestern Oregon members (and followers of SW Oregon Architect!). It’s an exclusive discount for tickets to the 2010 season’s final concert, Elijah, a biblical composition by Felix Mendelssohn. Mendelssohn was a showman of a composer, and his oratorio brims with all the glory and intensity of his best symphonic writing.

The performance takes place on Sunday, July 11 at 3 pm in Eugene’s Hult Center for the Performing Arts Silva Concert Hall. Don’t miss this opportunity to experience plenty of Old Testament drama as conductor Helmuth Rilling, the amazing Thomas Quasthoff, and the full choir and orchestra showcase their talents.

The 2010 Bach Festival is on track to break a sales record. It would be great to see the Hult Center packed.

To get the special 30% discount, simply use the password CHARIOT when purchasing your tickets to the show (either online or at the Hult Center ticket office).

Here is the link to send with complete details: http://wp.me/pRJFy-c0

Hurry! The offer ends this Friday, July 9, when the box office closes.


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