The jury selected LCC alumna Jessilyn Brinkerhoff, whose proposal (titled Networks of Knowledge) stood out for its thoughtful integration of natural forms, human connection, and educational themes.
Drawing inspiration from her studies in biology and art at LCC and the University of Oregon, Jessilyn’s work weaves together rivers, roots, wings, and fingerprints into a visual language that speaks to growth, movement, and community.
Now nearing completion, the
murals span multiple walls, both interior and exterior, using a complementary
palette that harmonizes with the building’s architecture. The result is a
series of compositions that are both grounded in place and expansive in
meaning.
As I mentioned in my initial piece about the artist selection process, the architectural team (Robertson/Sherwood/Architects with Mahlum Architects) always envisioned the murals as conceived for, dependent upon, and inseparable from the building and its context. That context includes the Health Professions Building’s function as a campus “gateway.” The north-facing mural catches your attention as you drive along 30th Avenue. As intended, it and the other panels further reward closer inspection, revealing increased levels of detail while drawing visitors and students toward and through the building.
I took the opportunity this past week to photograph the nearly complete murals. The images here offer a glimpse into how public art can enrich a campus environment and reflect the values of the institution it serves.
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